During his long career, trumpeter and flugelhornist Enrico Rava was one of the best known and most appreciated Italian jazz musicians on an international level. jazz-rock, ending up with symphonic music and Italian melodrama. His style is characterized by minimalist phrasing, dotted with long reflective, lyrical breaths, with dark tones and at the same time tinged with a sweet Mediterranean temperament. Music critics Joachim-Ernest Berendt and Gunther Huesmann in the “The Book of Jazz” they write about him – “Enrico Rava, the master of melismas, precisely in the sense of the Italian tradition; he plays with a "singing" trumpet style that has been a part of jazz since its inception. Rava is influenced by Miles Davis, but he transposed Miles' sound to a jazzy background that harks back to Italian opera, brimming with melos and inner pathos."
Enrico Rava began his musical studies as a self-taught in Turin, experimenting with the trombone in Dixieland formations. In the early sixties he moved to Rome where he began playing with the quintet formed by the Argentine saxophonist Gato Barbieri, the pianist Franco D'Andrea, the double bass player Gianni Foccià and the drummer Gegé Munari. A few years later the trumpeter joins saxophonist Steve Lacy to leave for Argentina, to stay there for a whole year. During this stay in the South American country he recorded one of the most representative records of free jazz "The Forest and the Zoo". A year later, having settled in New York, he came into contact with the American avant-garde jazz scene of Charlie Haden, Cecil Taylor and Carla Bley. With the latter he recorded the album "Escalator over the Hill".
In 1972 he recorded his first album as a leader entitled "Il giro del giorno in 80 mondi" with the quartet formed by Bruce Johnson on guitar, Marcello Melis on double bass and Chip White on drums. In those years the trumpeter traveled between Italy, Argentina and the United States to give concerts and make recordings with formations of local instrumentalists. The album "Pupa o Crisalide", recorded in Rome, New York and Buenos Aires, bears witness to this.
Between 1977 and 1979 Rava performed in a series of concerts in Europe with the quintet formed by the pianist Bobo Stenson, the double bass player Palle Danielsson and the drummer Jon Christensen and the trio with Massimo Urbani, bassist J. F. Jenny Clarke and drummer Aldo Romano. In the same period he recorded the album "The Pilgrim and the Stars" for the ECM label.
In the following years he recorded numerous albums with young Italian musicians, also covering an essential role of talent scout, among them: Stefano Bollani, Mauro Ottolini, Paolo Fresu, Giovanni Guidi, Andrea Pozza, Gianluca Petrella, Julian Oliver Mazzariello, Daniele Tittarelli. In the 2000s he recorded the albums "Easy Living", "The Third Man", in duo with pianist Stefano Bollani", "The New York Days", "Rava on the Dance Floor", dedicated to Michael Jackson, "For Mario", with British musician and producer Matthew Herbert and pianist Giovanni Guidi.
During his ten-year career Enrico Rava has collaborated with the elite of international jazz: Pat Metheny, Paul Motian, Carla Bley, John Abercrombie, Joe Henderson, Joe Lovano, John Taylor, Roswell Rudd, Gil Evans, Lee Konitz, Enrico Pieranunzi and many others.
Essential discography: The Forest and the Zoo con Steve Lacy (1996 – ESP), Jazz a Confronto 14 (1974 – Horo Records), Il giro del giorno in 80 mondi (1972 – Black Saint), Pupa o Crisalide (1975 – RCA), The Pilgrim and the Stars (1975 – ECM), The Plot (1976 – ECM), Rava String Band (1984 – Soul Note), Animals (1987 – Gala Records), Rava, l’opera va (1993 – Label Blue), Rava Plays Rava con Stefano Bollani (2000 – Philology), Easy Living (2004 – ECM), The Third Man con Stefano Bollani (2006 – ECM), New York Days (2007 – ECM), Rava on the Dance Floor (2012 – ECM), For Mario (2020 – Accidental Records)