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ARTURO series, ArtUro Studio Session ARTURO series, ArtUro Studio Session

ARTURO series, ArtUro Studio Session

  • Arrangement of an unreleased song
  • Recording and mixing in the studio
  • Making a video clip
  • Distribution on digital platforms and social channels

ARTURO series, ArtUro Studio Session

During the recording, the video shooting of the studio sessions is also carried out, for the purpose of creating a professional video clip in the “Live in Studio” formula published on the YouTube platform and promoted through the Saint Louis social channels.

During the recording, the video shooting of the studio sessions is also carried out, for the purpose of creating a professional video clip in the “Live in Studio” formula published on the YouTube platform and promoted through the Saint Louis social channels.

During the recording, the video shooting of the studio sessions is also carried out, for the purpose of creating a professional video clip in the “Live in Studio” formula published on the YouTube platform and promoted through the Saint Louis social channels. alessio@slmc.it

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Marti Jane Robertson

Marti Jane Robertson

He began his career as a sound engineer in 1977 in his hometown of Seattle. Under the expert wing of Peter B. Lewis, he learns the secrets of radio and television post-production. A year later she moved to New York City, where she was hired as an assistant at Automated Sound Studios, one of the most important jingle and record studios of the 70s and 80s.
Led by engineers like Elliot Scheiner and Artie Friedman, and working daily with the country's most talented musicians and producers, her career progresses rapidly. Two and a half years later, at 22, Marti leaves the Automated Sound staff to pursue his freelance career. She begins to work regularly in historical studios such as A&R and The Power Station (which becomes Avatar), The Hit Factory and Skyline, and increases her skills by collaborating with artists and producers such as Marcus MillerLed by engineers like Elliot Scheiner and Artie Friedman, and working daily with the country's most talented musicians and producers, her career progresses rapidly. Two and a half years later, at 22, Marti leaves the Automated Sound staff to pursue his freelance career. She begins to work regularly in historical studios such as A&R and The Power Station (which becomes Avatar), The Hit Factory and Skyline, and increases her skills by collaborating with artists and producers such as
In 1986 he moved to Milan where he began working live as a FOH engineer and in 1990 he followed the European Tour of Eros Ramazzotti. It is the beginning of a new phase in his career. In the following years he worked with the most important artists of the Italian pop and jazz scene, both in the studio and live and then in 2016, he opened the janeStudio, a recording room, with a record label, MGJR Records.

Marzia Bulli

Drummer by passion, graduated by profession at Saint Louis College of Music in the academic year 2006/07 as Sound Engineer and MIDI Programmer.

She collaborated with Ghostrack Recording Studio for the following 12 months after her graduation and finally joined Digital Records where, as assistant studio manager, under the guidance of Goffredo Gibellini, she had the opportunity to collaborate with Masters such as A. Guerra, A. Molinari, N. Piovani, N. Tescari, G. Taviani, F. Piersanti, G. Bacalov.

She currently teaches phonia and recording studio techniques at Saint Louis College of Music.

Marzia Bulli